George Wittenborn Memorial Book Award: Past Recipients

Compiled by Julie Mellby, Daniel Starr & Nedda Ahmed

Since its foundation in 1974, ARLIS/NA has made an annual award to recognize excellence of content and production in North American art publications. Initially called the Art Publishing Award, it was renamed in 1980 to honor George Wittenborn (1905-1974), the influential New York art book dealer and publisher. The award is presented annually for outstanding publications in the visual arts and architecture which combine the highest standards of scholarship, design, and production.

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43rd George Wittenborn Memorial Book Award

2021 Committee presented at 2022 Convocation
  • First Place: Fabric of a Nation: American Quilt Stories. Pamela A. Parmal, Jennifer M. Swope, Lauren D. Whitley, with a preface by Laurel Thatcher Ulrich; Boston, MA; published by the Museum of Fine Arts Boston, 2021. 

42nd George Wittenborn Memorial Book Award

2020 Committee presented at 2021 Convocation
  • First Place: Boston's Apollo. Thomas McKeller and John Singer Sargent; edited by Nathaniel Silver; designed by Laura Grey. Boston, MA: Isabella Stewart Gardner Museum; New Haven, CT: in association with Yale University Press, 2020. 

41st George Wittenborn Memorial Book Award

2019 Committee presented at 2020 Convocation
  • First Place: Lenore Tawney: Mirror of the Universe, by Karen Patterson ... [et al.]. Sheboygan, WI: John Michael Kohler Arts Center; Chicago, IL: in association with the University of Chicago Press, 2019.
  • Honorable Mention: Beyond Line: The Art of Korean Writing, edited by Stephen Little and Virginia Moon. Los Angeles, CA: Los Angeles County Museum of Art; Munich; New York: DelMonico Books-Prestel, 2019. 

40th George Wittenborn Memorial Book Award

2018 Committee presented at 2019 Convocation
  • First Place: Howardena Pindell: What Remains to Be Seen, edited by Naomi Beckwith and Valerie Cassel Oliver. Chicago, IL: Museum of Contemporary Art Chicago; Munich; New York, NY: DelMonico Books/Prestel, 2018.
  • Honorable Mention: Between Worlds: The Art of Bill Traylor by Leslie Umberger: Smithsonian American Art Museum & Princeton University Press, 2018. 

39th George Wittenborn Memorial Book Award

2017 Committee presented at 2018 Convocation
  • First Place: Radical Women: Latin American Art, 1960–1985. Cecilia Fajardo-Hill and Andrea Giunta, with contributions by Rodrigo Alonso [and 13 others]. Los Angeles, California: Hammer Museum and DelMonico Books/Prestel, 2017.
  • Honorable Mention: Robert Ryman, edited by Stephen Hoban and Courtney J. Martin. New York: Dia Art Foundation in association with Yale University Press, 2017. 

38th George Wittenborn Memorial Book Award

2016 Committee presented at 2017 Convocation
  • First Place: 17th-Century Chinese Paintings from the Tsao Family Collection. Stephen Little. Los Angeles, California: Los Angeles County Museum of Art, 2016.
  • Honorable Mentions:
    • Paper in Profile: Mixografia and Taller De Gráfica Mexicana: June 4-August 21, 2016.  William U. Eiland, Katie Anania, and Lynn Boland. [Athens, GA]: Georgia Museum of Art, University of Georgia, 2016.
    • Aubrey Beardsley: A Catalogue Raisonné. Linda Gertner Zatlin. New Haven: Yale University Press, 2016.

37th George Wittenborn Memorial Book Award

2015 Committee presented at 2016 Convocation
  • Kongo: Power and Majesty. Alisa LaGamma. Metropolitan Museum of Art, 2015.

36th George Wittenborn Award

2014 Committee presented at 2015 Convocation
  • Dutch Paintings of the Seventeenth Century. Arthur K. Wheelock, Jr. A National Gallery of Art Online Edition, 2014.

35th George Wittenborn Memorial Book Award

2013 Committee presented at 2014 Convocation
  • Interaction of Color by Josef Albers (App for iPad). Produced and edited by Sara Sapire and Michelle Komie [Yale University Press], Brenda Danilowitz [The Josef and Anni Albers Foundation], Phillip Tiongson and Abby Palmer [Potion Design]. New Haven: Yale University Press, 2013.

34th George Wittenborn Memorial Book Award

2012 Committee presented at 2013 Convocation
  • Nineteenth-century European Paintings at the Sterling and Francine Clark Art Institute. Sarah Lees, Richard Tand and Sandra L. Webber. Williamstown, MA: Sterling and Francine Clark Art Institute, 2012. 2 vols.

33rd George Wittenborn Memorial Book Awards

2011 Committee presented at 2012 Convocation
  • First Place: Windows on the War: Soviet Tass Posters at Home and Abroad, 1941-1945
    Peter Kort Zegers and Douglas W. Druick, Editors
    Art Institute of Chicago and Yale University Press, 2011.
  • Honorable Mention: Snapshot: Painters and Photography, Bonnard to Vuillard
    Elizabeth Easton
    ​Yale University Press with the Indianapolis Museum of Art, The Philips Collection, Van Gogh Museum, 2011.

32nd George Wittenborn Memorial Book Awards

2010 Committee presented at 2011 Convocation
  • First Place: Five Centuries of Indonesian Textiles: The Mary Hunt Kahlenberg Collection
    Edited by Mary Hunt Kahlenberg and Ruth Barnes. Munich and New York: DelMonico Books/Prestel, 2010.
  • Honorable Mention: Pierre Puvis de Chavannes
    Aimée Brown Price. New Haven: Yale University Press, 2010.

31st George Wittenborn Memorial Book Awards

2009 Committee presented at 2010 Convocation
  • Marcel Duchamp. Étant donnés
    Michael R. Taylor: Philadelphia Museum of Art; Philadelphia: in association with Yale University Press, New Haven, 2009.
  • Mrs. Delany & her Circle
    Edited by Mark Laird and Alicia Weisberg-Roberts; Yale Center for British Art, New Haven, and Sir John Soane's Museum, London: in association with Yale University Press, New Haven, 2009.

30th George Wittenborn Memorial Book Awards

2008 committee presented at 2009 convocation
  • First Place: Cai Guo-Qiang : I want to believe
    Thomas Krens; Alexandra Munroe; Cai Guo-Qiang; New York : Guggenheim Museum ; London : Distributed by Thames & Hudson, 2008.
  • Honorable Mention: Muraqqa' Imperial Mughal albums from the Chester Beatty Library, Dublin
    Elaine Julia Wright ; Susan Stronge ; Art Services International, Alexandria, Va. : Art Services International ; Hanover : Distributed by University Press of New England 2008.

29th George Wittenborn Memorial Book Awards

2007 committee presented at 2008 convocation
  • Ornament as Art: Avant-Garde jewelry from the Helen Williams Drutt collection, The Museum of Fine Arts, Houston. Cindi Strauss. Arnoldsche Art Publishers in association with the Museum of Fine Arts, Houston.
  • Stuart Davis: A catalogue raisonné. Edited by Ani Boyajian and Mark Rutkoski. Yale University Art Gallery in association with Yale University Press.

28th George Wittenborn Memorial Book Awards

2006 committee presented at 2007 convocation
  • Prayers and Portraits: Unfolding the Netherlandish Diptych. John Oliver Hand, Catherine A. Metzger, Ron Spronk. National Gallery of Art, Washington; Koninklijk Museum voor Schone Kunsten, Antwerp, in association with Harvard University Art Museums, Cambridge, and Yale University Press, New Haven and London.
  • American Indian Horse Masks. Mike Cowdrey and Ned & Jody Martin. Hawk Hill Press, Nicasio, California.

27th George Wittenborn Memorial Book Awards

2005 committee presented at 2006 convocation
  • Visual Music: Synaesthesia in Art and Music Since 1900. Organized by Kerry Brougher, et al. London: Thames & Hudson, 2005.
  • The Pollaiuolo Brothers: the Arts of Florence and Rome. By Alison Wright. New Haven, Conn.: Yale University Press, 2005.
  • Modernism in American Silvers: 20th-Century Design. By Jewel Stern. Dallas, Texas: Dallas Museum of Art; New Haven, Conn.: Yale University Press, 2005.
  • Honorable Mention:
    • The Art of Frederick Sommer: Photography, Drawing, Collage. Essay by Keith F. Davis, interview by Michael Torosian, chronology by April M. Watson. New Haven, Conn.; London: Yale University Press, 2005.
    • Prague: the Crown of Bohemia. Edited by Barbara Drake Boehm and Jiri Fajt. New York: Metropolitan Museum of Art; New Haven, Conn.: Yale University Press, 2005.
    • Recarving China's Past: Art, Archaeology, and Architecture of the "Wu Family Shrines". By Cary Y. Liu, et al. Princeton, N.J.: Princeton University Art Museum; New Haven, Conn.: distributed by Yale University Press, 2005.
  • Special Mention:
    • Guide to the Literature of Art History 2. Edited by Max Marmor and Alex Ross. Chicago: American Library Association, 2005.

26th George Wittenborn Memorial Book Awards

2004 committee presented at 2005 convocation
  • Barnett Newman: a Catalogue Raisonné. Richard Shiff, Carol Mancusi-Ungaro, & Heidemarie Colsman-Freyberger. NY: Barnett Newman Foundation; New Haven: Yale University Press, 2004.
  • Byzantium: Faith and Power (1261-1557). Helen C. Evans. NY: Metropolitan Museum of Art; New Haven: Yale University Press, 2004.
  • Honorable mentions:
    • Ed Ruscha and Photography. Sylvia Wolf. NY: Whitney Museum of American Art, 2004.
    • A Minimal Future? Art as Object 1958-1968. Ann Goldstein. Los Angeles: Museum of Contemporary Art; Cambridge: MIT Press, 2004.
    • Robert Smithson. Eugenie Tsai. Los Angeles: Museum of Contemporary Art; Berkeley: University of California Press, 2004.

25th George Wittenborn Memorial Book Awards

2003 committee presented at 2004 convocation
  • First Place: A Private Passion: 19th Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University. Edited by Stephan Wolohojian and Anne Tahinci (Yale University Press and the Metropolitan Museum of Art, 2003).
  • Honorable Mention: Furniture of Charleston, 1680-1820. Bradford L. Rauschenberg and John Bivins (Museum of Early Southern Decorative Arts, 2003).

24th George Wittenborn Memorial Book Award

2002 committee presented at 2003 convocation
  • Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs by Sarah Greenough (Washington, D.C.: National Gallery of Art; New York: Harry N. Abrams, 2002)

23rd George Wittenborn Memorial Book Awards

2001 committee presented at 2002 convocation
  • Jacob van Ruisdael: A complete Catalogue of his Paintings, Drawings and Etchings, Seymour Slive (New Haven: Yale University Press, 2001)
  • Honorable mention: Van Gogh and Gauguin: The Studio of the South, Douglas W. Druick and Peter Kort Zegers in collaboration with Britt Salveson, with contributions to the text by Kristin Hoermann Lister and the assistance of Mary C. Weaver (Chicago: The Art Institute of Chicago, Van Gogh Museum, Amsterdam, and Thames & Hudson, 2001)
  • Honorable mention: Ancient Sichuan: Treasures from a Lost Civilization, Robert Bagley, editor (Seattle; Princeton: Seattle Art Museum in association with Princeton University Press, 2001)

22nd George Wittenborn Memorial Book Awards

2000 committee presented at 2001 convocation
  • The Complete Jacob Lawrence. 2 vols, Peter T. Nesbett and Michelle DuBois (Seattle; London: University of Washington Press, 2000)
  • The Hours of Henry VIII: A Renaissance Masterpiece by Jean Poyet, Roger S. Wieck, William M. Voelkle, and K. Michelle Hearne (New York: George Braziller Publisher in association with The Pierpont Morgan Library, 2000)
  • Women Designers in the USA 1900-2000: Diversity and Difference, Pat Kirkham, editor (New Haven; London: Yale University Press for The Bard Graduate Center for Studies in the Decorative Arts, 2000)
  • Honorable mention: Campbell Collection of Soup Tureens at Winterthur, Donald L. Fennimore, and Patricia A. Halfpenny (Delaware: Henry Francis du Pont Winterthur Museum, 2000)
  • Honorable mention: Stories in Red and Black: Pictorial Histories of the Aztecs and Mixtecs, Elizabeth Hill Boone (Austin: University of Texas Press, 2000)
  • Honorable mention: Steichen's Legacy: Photographs, 1895-1973, Joanna Steichen, ed. (New York: Alfred A. Knopf, 2000)

21st George Wittenborn Memorial Book Awards

1999 committee presented at 2000 convocation
  • E.W. Godwin: Aesthetic Movement, Architect and Designer, Susan Weber Soros, editor (New York; New Haven; London: The Bard Graduate Center for Studies in the Decorative Arts, distributed by Yale University Press, 1999)
  • Ghost in the Shell: Photography and the Human Soul, 1850-2000, Robert A. Sobieszek (Los Angeles: Los Angeles County Museum of Art; Cambridge, MA: MIT Press, 1999)
  • Portraits by Ingres: Image of an Epoch, Gary Tinterow and Philip Conisbee, editors (New York: The Metropolitan Museum of Art, distributed by Harry N. Abrams, 1999)
  • Honorable mention: The Eye of Duncan Phillips: A Collection in the Making, Erika D. Passantino, editor (Washington, D.C. The Phillips Collection; New Haven: Yale University Press, 1999)
  • Honorable mention: Tilman Riemenschneider:Master Sculptor of the Late Middle Ages, Julien Chapius, et al. (Washington, D.C.: National Gallery of Art; New York: Metropolitan Museum of Art; distributed by Yale University Press, 1999)

20th George Wittenborn Memorial Book Awards

1998 committee presented at 1999 convocation
  • The Lithographs of James McNeill Whistler (Chicago: Art Institute of Chicago in association with the Arie and Ida Crown Memorial, 1998) v. 1: A Catalogue raisonné, Harriet K. Stratis and Martha Tedeschi, general editors. v. 2: Correspondence and Technical Studies, Martha Tedeschi, general editor. (Additional authors: Katherine A. Lochnan, Nicholas Smale, Nesta R. Spink)
  • Mark Rothko: the Works on Canvas: Catalogue raisonné, David Anfam (New Haven: Yale University Press; Washington: National Gallery of Art, 1998)
  • Special Reference Award: Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art, Helene E. Roberts, editor (Chicago: Fitzroy Dearborn, 1998)
  • Special mention: California Art: 450 Years of Painting & Other Media, Nancy Dustin Wall Moure (Los Angeles: Dustin Publications, 1998)
  • Special mention: To the Sociedad Mexicana de Arte Moderno and the Museo de Arte Moderno (Mexico) for the consistently high quality of their 1998 exhibition catalogs, including 12 Escultores Finimilenaristas en México; Héctor García, Iconos; Jesús Urbieta, Testamentos; and Manuel Rodríguez Lozano, una Revisión Finisecular. (Martín Flores Carapia, Designer in Chief; Teresa del Conde, Director of Museo de Arte Moderno)

19th George Wittenborn Memorial Book Awards

1997 committee presented at 1998 convocation
  • IKAT: Silks of Central Asia, by Kate Fitz Gibbon and Andrew Hale (London: Laurence King Publishing with Alan Marcuson, 1997).
  • Printed Stuff: Prints, Posters, and Ephemera by Claes Oldenburg: a Cataloque Raisonné 1958-1996, by Richard H. Axsom and David Platzker (New York: Hudson Hills Press, 1997).
  • Raymonde April: Les Fleuves invisibles, by Nicole Gingras (Québec: Musée d'art de Joliette, 1997).
  • Special mention: A Maritime Album: 100 Photographs and Their Stories, by John Szarkowski and Richard Benson (Newport News, VA: The Mariners' Museum; New Haven: Yale University Press, 1997).
  • Special mention: Exiles and Emigrés: The Flight of European Artists from Hitler, Stephanie Barron (Los Angeles: Los Angeles County Museum of Art; New York: Harry N. Abrams, 1997).
  • Special mention: Italian Pavements Patterns in Space, by Kim Williams (Houston: Anchorage Press, 1997).
  • Honorable mention: Canadian Film and Video: A Bibliography and Guide to the Literature / Film et Vidéo Canadiens: bibliographie analytique sur le Cinéma et la vidéo, by Loren Lerner (Toronto: University of Toronto Press, 1997).

18th George Wittenborn Memorial Book Awards

1996 committee presented at 1997 convocation
  • American Windsor Chairs, by Nancy Goyne Evans (New York: Hudson Hills Press in association with The Henry Francis du Pont Winterthur Museum, 1996).
  • Metalwork in Early America: Copper and Its Alloys from the Winterthur Collection, by Donald L. Fennimore, photography by Georg J. Fistrovich (Winterthur: Henry Francis du Pont Winterthur Museum, 1996).
  • La Pintura Mural Prehispánica en México, coordinadora Beatriz de la Fuente (Mexico: Ciudad Universitaria. D. R. Instituto de Investigaciones Estéticas, c. 1995; published 1996.)
  • Special Reference Award: The Dictionary of Art (34 volumes); Jane Turner, Editor; Hugh Brigstocke, Consulting Editor (London: Macmillan Publishers, Ltd. ; New York: Grove Dictionaries, Inc. 1996).
  • Special mention: Art and Artists of Twentieth-Century China, by Michael Sullivan (Berkeley: University of California Press, 1996).
  • Special mention: The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations, by Heinz K. Henisch and Bridget A. Henisch, (University Park, Pennsylvania: The Pennsylvania State University Press, 1996).

17th George Wittenborn Memorial Book Awards

1995 committee presented at 1996 convocation
  • Designing Modernity: The Arts of Reform and Persuasion 1885-1945: Selections from the Wolfsonian, edited by Wendy Kaplan (New York: Thames & Hudson; copublished with the Wolfsonian Foundation, 1995).
  • Hadrian's Villa and Its Legacy, by William L. MacDonald and John A. Pinto (New Haven: Yale University Press, 1995).
  • The Salon Album of Vera Sudeikein-Stravinsky, edited and translated by John E. Bowlt (Princeton: Princeton University Press, 1995).
  • Special mention: Edward Hopper: A Catalogue Raisonné, by Gail Levin (New York: Whitney Museum of American Art in association with W.W. Norton, 1995). 4 vols.
  • Special mention: Grandmother's Garden: The Old-Fashioned American Garden, 1865-1915, by May Brawley Hill (New York: Harry N. Abrams, 1995).

16th George Wittenborn Memorial Book Awards

1994 committee presented at 1995 convocation
  • Eakins and the Photograph: Works by Thomas Eakins and His Circle in the Collection of the Pennsylvania Academy by Susan Danly and Cheryl Leibold (Washington, D.C.: Smithsonian Institution Press for the Pennsylvania Academy of Fine Arts, 1994). This book includes three-fourths of Eakins' photographic out-put; describes 648 images of the Bregler Collection; and places Eakins' photographic works within the transitional context, between 1880-1900, when photography moved from the realm of commerce to that of art.
  • Mining the Museum: an Installation by Fred Wilson, edited by Lisa G. Corrin (New York: The New Press, 1994). Exhibitions are informed by curatorial biases and acquisition histories of particular institutions, which often, intentionally or not, exclude the viewpoints of minorities. This book looks at how museums view people of color and how people of color view museums. It is provocative. It is in many ways the exhibition catalogue of the future.
  • A Century of Artists Books by Riva Castleman (New York: The Museum of Modern Art, 1994). This book accompanied a thrilling exhibition at MOMA; however, the book is more than an exhibition catalogue. It joins Eleanor Garvey and Philip Hofer's The Artist and the Book, 1860-1960 and Carole Hogben and Rowan Watson's From Manet to Hockney as a great reference book and contribution to the field of artist's books.
  • Odilon Redon: Prince of Dreams, 1840-1916 by Douglas W. Druick ... [et al.] (Chicago: The Art Institute of Chicago, 1994). This book is the result of years of research. It is that rare example of superb scholarship, readability, and visual appeal.
  • Japanese Design: a Survey Since 1950 by Kathryn B. Hiesinger and Felice Fischer (Philadelphia: Philadelphia Museum of Art, 1994). Here is a beautifully designed catalogue about design. The editor was George Marcus and the designer, Matsuo Katsui. It is an amazingly beautiful book.
  • Special mention: Blast 1994. Think basic, local, alignment, search, tool: think deconstructing force. Blast is a hybrid form of journal and artist book, and the 1994 issue, fourth in the series, contains contributions from 60 artists, everything from a blue rubber glove to video and computer programs. We salute the energy, creativity, and vision of the editor, Jordan Crandall, and the X-Art Foundation of New York.
  • Special mention: The Bibliography of Gay and Lesbian Artists (1994), because it is a long overdue reference and collection development tool for an area in art history that has been neglected and ignored. Published by the Gay and Lesbian Caucus of the College Art Association, the bibliography was edited by James Saslow. Three of the contributing editors--Sherman Clarke, Alfred Willis, and Jim Van Buskirk--are current/former members of ARLIS/NA.

15th George Wittenborn Memorial Book Awards

1993 committee presented at 1994 convocation
  • Amigos del Museo Nacional de Arte for its José Mariá Velasco (1840-1912): National Homage, by Mariá Elena Altamirano Piolle (1993), a two-volume study documenting the largest and most comprehensive exhibition of works by Velasco, one of Mexico's greatest painters, drawn from the collections of twenty institutions in Mexico, the United States, and Europe. Published in both Spanish- and English-language editions, the work includes new research on the painter and is perhaps the most complete publication written about a Mexican artist.
  • University of Chicago Press for The Moment of Self-Portraiture in German Renaissance Art by Joseph Leo Koerner (1993). Focusing his argument on Albrecht Durer's Self-Portrait of 1500, Koerner weaves a complex narrative around the nature of the artist, self-portraiture, and its relationship to the viewer. His wide-ranging text gracefully combines traditional art historical methodology, information about economic and legal conditions of the time, and contemporary theory about audience and spectacle to support his thesis and make an intelligent, readable book.
  • The University of California Press for its centennial book, Bronzino's Chapel of Eleonora in the Palazzo Vecchio by Janet Cox-Rearick (1993), part of the California Studies in the History of Art series, this work examines the abundantly decorated chapel not only as a tour-de-force of sacred painting but also as a statement within the social and political discourses of mid-sixteenth century Florence. In addition to extensive notes, bibliography, and index, the book includes an appendix of documents about the chapel commission in both the original and in an English translation.
  • Oxford University Press for The Oxford Guide to Classical Mythology in the Arts, 1300-1990's by Jane Davidson Reid (1993). The guide classifies over 30,000 art works by themes from Greek and Roman mythology. Unlike other sources that have attempted this, the author includes painting, sculpture, music, dance, opera, drama, and literature, thus gathering information heretofore segregated by discipline or time period.
  • Yale University Press for the consistently high quality of all of Yale's 1993 publications in the visual arts, including: Fra Angelico at San Marco by William Hood; The Altarpiece in Renaissance Venice by Peter Humfrey; The Last Descendant of Aeneas: the Hapsburgs and the Mythic Image of the Emperor by Marie Tanner; Hanging the Head: Portraiture and Social Formation in Eighteenth-Century England by Marcia Pointon; History and Its Images: Art and the Interpretation of the Past by Francis Haskell; Rodin: the Shape of Genius by Ruth Butler; Cut with the Kitchen Knife: the Weimar Photomontages of Hannah Höch by Maud Lavin; The Modernist Garden in France by Dorothée Imbert; Degas Landscapes by Richard Kendall.

14th George Wittenborn Memorial Book Awards

1992 committee presented at 1993 convocation
  • The Nelson-Atkins Museum of Art for The Century of Tung Ch'i'ch'ang edited by Wai-Kam Ho (Kansas City, Missouri: Nelson-Atkins Museum of Art; Seattle: University of Washington Press, 1992).
  • The American Institute of Architects Press for Fay Jones: the Architecture of E. Fay Jones, FAIA by Robert Adams Ivy (Washington, D.C.: AIA Press, 1992).
  • The Minneapolis Institute of Arts for Visions of the People: a Pictorial History of Plains Indian Life by Evan M. Maurer ... [et al.] (Minneapolis: M.I.A., 1992).
  • Rizzoli International Publications for Puerto Rico 1900: Turn-of-the-Century Architecture in the Hispanic Caribbean, 1890-1930 by Jorge Rigau (New York: Rizzoli, 1992).
  • Grupo Azabache for Pintura y escultura en Nueva España (1557-1640) by Guillermo Tovar de Teresa (Mexico City: Grupo Azabache, 1992).
  • Special mention: MIT List Visual Arts Center, Cambridge, Massachusetts, and Beacon Press, Boston, for the co-publication of Corporal Politics by Donald Hall (1992).
  • Special letters: Gibbs Smith, publisher of Peregrine Smith Books of Layton, Utah and Watson-Guptill, for of commendation: filling a gap in the literature by publishing respectively, Angry Graphics: Protest Posters of the Reagan/Bush Era, edited by Karrie Jacobs and Steven Heller (1992), and The Savage Mirror: The Art of Contemporary Caricature by Steven Heller and Gail Anderson (1992).

13th George Wittenborn Memorial Book Awards

1991 committee presented at 1992 convocation
  • Los Angeles County Museum of Art for the exhibition catalogue, Degenerate Art: The Fate of the Avant-Garde in Nazi Germany edited by Stephanie Barron (1991) which includes a room-by-room photographic survey of the original show.
  • Garland Publishing for Holabird & Roche and Holabird & Root: An Illustrated Catalog of Works by Robert Bruegmann (1991). A three-volume catalog of the Chicago Historical Society's architectural archives.
  • Random House for A Life of Picasso by John Richardson, v.1 (1991) with the collaboration of Marilyn McCully. The first of a projected four volumes, it examines Picasso's first 25 years.
  • Harry N. Abrams for Design 1935-1965: What Modern Was (1991) which focuses on 200 objects in the decorative arts from the Liliane and David Stewart Collection exhibited at the Musée des arts décoratifs de Montréal.
  • University of Toronto Press for Art and Architecture in Canada: a Bibliography and Guide to the Literature to 1981 [Art et Architecture au Canada: Bibliographie et Guide de la Documentation jusq'en 1981] by Loren R. Lerner and Mary F. Williamson, 2 vols. (1991).

12th George Wittenborn Memorial Book Awards

1990 committee presented at 1991 convocation
  • Art Across America: Two Centuries of Regional Painting by William H. Gerdts (New York: Abbeville Press, 1990).
  • Facing History: the Black Image in American Art 1710-1940 by Guy McElroy with an essay by Henry Louis Gates, Jr. (San Francisco: Bedford Arts; Washington, D.C.: Corcoran Gallery of Art, 1990).
  • Envisioning Information by Edward R. Tufte (Cheshire, Connecticut: Graphics Press, 1990).
  • Lisette Model by Ann Thomas (Ottawa: National Gallery of Canada, 1990).
  • Greek Sculpture: an Exploration by Andrew Stewart (New Haven: Yale University Press, 1990).

11th George Wittenborn Memorial Book Awards

1989 committee presented at 1990 convocation
  • From the American Revolution to World War I by Hugh Honour, The Image of the Black in Western Art vols. 4 (Cambridge, Massachusetts: The Menil Foundation, Inc., distributed by Harvard University Press, 1989).
  • The New Vision, Photography Between the World Wars: Ford Motor Company Collection at the Metropolitan Museum of Art by Maria Morris Hambourg and Christopher Phillips (New York: The Metropolitan Museum of Art, 1989).
  • Eames Design: the Work of the Office of Charles and Ray Eames by John Neuhart, Marilyn Neuhart, Ray Eames (New York: Harry N. Abrams, 1989).
  • Minor White: the Eye that Shapes by Peter C. Bunnell with Maria B. Pellerano and Joseph B. Rauch (Princeton: The Art Museum, Princeton University, 1989).
  • The Mad Potter of Biloxi: the Art & Life of George E. Ohr by Garth Clark, Robert A. Ellison, Jr., Eugene Hecht, photography by John White, special consultant, Martin Shack (New York: Abbeville Press, 1989).

10th George Wittenborn Memorial Book Awards

1988 committee presented at 1989 convocation
  • The Gilbert and Lila Silverman Fluxus Collection, Detroit, Michigan in association with Harry N. Abrams for Fluxus Codex compiled by Jon Hendricks (1988). This elegantly designed book offers exhaustive visual documentation as well as a method for the organization of Fluxus and its objects which enable greater access to an important movement in twentieth-century art.
  • Yale University Press for Bradbury Thompson: the Art of Graphic Design (1988). This award is presented for excellence in concept, design, and execution, celebrating the wide range of artistic production by Bradbury Thompson; an example of the rare publication which conveys to the designer and lay person alike the vitality and strength of work which has influenced a generation of graphic designers.
  • The New York Graphic Society, Little, Brown & Company in association with Callaway editions for Issey Miyake, photographs by Irving Penn, edited by Nicholas Callaway (1988). This book is a poetically conceived statement of the work of two artists who have both transcended definitions of their art--and their cultures--to create a whole new way to look at the human figure and to think about our relationship to clothes. Irving Penn is no less the collaborator here, together with the designer, Kiyoshi Kanai, and the New York graphic Society and Callaway Editions, who have produced a stunning tribute to a modern design master, Issey Miyake.
  • W.W. Norton & Company for A Winterthur Book entitled American Seating Furniture, 1630-1730: an Interpretive Catalogue by Benno M. Forman (1988). One of the most important books ever published on the subject of American furniture, Benno M. Forman's thorough examination of seventeenth-century chairs at Winterthur is more than a scholarly catalogue. It is a landmark in the study of American material culture that combines connoisseurship, social history and scientific investigation in an elegantly designed and illustrated volume.
  • University of Washington Press for Symmetries of Culture: Theory and Practice of Plane Pattern Analysis by Dorothy K. Washburn and Donald Crowe (1988). This is a superb post-modern collaboration of mathematics and anthropology to produce a primary tool for artistic and cultural analysis. Following the highest standards of the book maker's art, this important work marries content to context in a virtuoso design of black, white and gray contained in silver patterned boards of brilliant red.

9th George Wittenborn Memorial Book Awards

1987 committee presented at 1988 convocation
  • Museum of Fine Arts, Boston in association with Little, Brown & Company, an award of excellence for The Art That is Life: the Arts & Crafts Movement in America, 1875-1920 by Wendy Kaplan, with contributions by Eileen Boris ... [et al.] (1987), a finely crafted work on the Arts and Crafts Movement in America; an extraordinary blending of production and content.
  • Philbrook Museum of Art in association with University of Washington Press, an award of excellence for The Eloquent Object: the Evolution of American Art in Craft Media Since 1945 edited by Marcia Manhart and Tom Manhart (1987), a finely crafted work on crafts since 1945, an extraordinary blending of production and content.

8th & 7th George Wittenborn Memorial Book Awards

Please note: Two separate committees presented two separate awards at the 1987 conference in order to standardize the year of publication being honored. 

Eighth George Wittenborn Memorial Book Awards; 1986 committee presented at 1987 convocation
  • Laura Gilpin, an Enduring Grace by Martha A. Sandweiss (Fort Worth: Amon Carter Museum, 1986), for its scholarship, sensitive interpretation, and elegance of design.
  • Penumbra Press (John Flood, proprietor), for its ongoing commitment to the publishing of source documents in Canadian art history, together with excellence of design.
Seventh George Wittenborn Memorial Book Awards (1985 committee presented at 1987 convocation)
  • Who Was Who in American Art: Compiled from the Original Thirty-four Volumes of American Art Annual: Who's Who in American Art, Biographies of American Artists Active from 1898-1947 edited by Peter Hastings Falk (Madison, Connecticut: Sound View Press, 1985), a labor of love and a reference work of enduring value.
  • Dr. Claribel & Miss Etta: The Cone Collection of the Baltimore Museum of Art by Brenda Richardson with assistance of William C. Ameringer ... [et al.] (Baltimore: Baltimore Museum of Art, 1985), a sparkling combination of biography and art history, with readable text, precise notes, scholarly detail, and excellent production.
  • European Post-Medieval Tapestries and Related Hangings in the Metropolitan Museum of Art by Edith Appleton Standen (New York: Metropolitan Museum of Art, 1985) 2 vols., a work of careful, insightful scholarship and a lifetime of connoisseurship, respectfully and elegantly presented.

6th George Wittenborn Memorial Book Awards

1985 committee presented at 1986 convocation
  • Yale University Press for The Société Anonyme and the Dreier Bequest at Yale University: a Catalogue Raisonné, co-editors Robert L. Herbert, Eleanor S. Apter and Elise K. Kenney (1984), which combines erudition, discovery, seamless editorial work, and generous design in a catalogue raisonné which can be read straight through and which will be returned to again and again.
  • University of Chicago Press and Dumbarton Oaks for The Mosaics of San Marco in Venice by Otto Demus, 2 vols. in 4 (1984), a life's work of the highest scholarship, as monumental and endearing as its subject.
  • University of Nebraska Press and the Joslyn Art Museum for Karl Bodmer's America (1984), a superbly produced catalog of exploration transmuted into art, beautifully designed and durably presented.
  • Kevin Osborn for Vector Rev (Arlington, Virginia: Osbornbook, 1983), an artist' s book of compressed spiral loading radii, offset on eleven colors of paper, and bound between decorated and jeweled aluminum. This colorful, inventive work beautifully suggests the palm leaf books of Southeast Asia.
  • MIT Press for Herbert Bayer: the Complete Work by Arthur A. Cohen (1984), the result of a consuming passion on the part of the author for this artist and designer, sensitively and accurately translated into a book design in total sympathy with the creative credo of its subject.

5th George Wittenborn Memorial Book Awards

1984 committee presented at 1985 convocation
  • Yale University Press for such significant publications as The New Sculpture by Susan Beattie (1983); Muqarnas: An Annual on Islamic Art and Architecture; Fernand Léger by Peter De Francia (1983); The Cult of the Prince Consort by Elizabeth Darby and Nicola Smith (1983); and The Selected Papers of Charles Willson Peale and His Family edited by Lillian Miller, 3 vols. in 4 (v. 1, 1983).
  • J.B. Speed Art Museum in association with Indiana University Press for the scholarly publication entitled Ingres: in Pursuit of Perfection: the Art of J.-A.-D. Ingres by Patricia Condon with Marjorie B. Cohn and Agnes Mongan (1983).
  • University of California Press for French Gothic Architecture of the 12th and 13th Centuries by Jean Bony (1983), for this distinct contribution to the field of medieval architectural history.
  • Harry N. Abrams in association with the Detroit Institute of Arts and the Metropolitan Museum of Art for Design in America: The Cranbrook Vision, 1925-1950 by Robert Judson Clark ... [et al.] (1983). This publication, a well designed exhibition catalog, documents a major American design school.
  • Kraus International Publications for the Print Council Index to Oeuvre-Catalogue of Prints by European and American Artists compiled by Timothy A. Riggs (1983) under the sponsorship of the Print Council of America. This reference tool will undoubtedly aid many researchers who were previously lacking the necessary index to relevant print literature.

4th George Wittenborn Memorial Book Awards

1983 committee presented at 1984 convocation
  • The Cooper-Hewitt Museum and Harry N. Abrams for Scandinavian Modern Design, 1880-1980, general editor, David Revere McFadden (1982), an excellent treatment of a heretofore little studied area of the decorative arts.
  • Macmillan Publishing Company for The Macmillan Encyclopedia of Architects, edited by Adolf K. Placzek, 4 vols. (1982), an outstanding work, welcome in an area which has long needed more substantial reference resources.
  • Centre canadien d'architecture for Photography and Architecture, 1839-1939 edited by Richard Pare (1982), a catalog which combines superbly reproduced photographs with high standards of scholarship.
  • University Press of New England for The Work of Augustus Saint-Gaudens by John H. Dryfhout (1982), an excellent monograph which makes available for the first time the entire artistic production of a great American artist.

3rd George Wittenborn Memorial Book Awards

1982 committee presented at the 1983 convocation--for publications with imprints 1977-1981
  • Smithsonian Institution Press for Arts in America: A Bibliography edited by Bernard Karpel, editor for the publisher Ruth W. Spiegel, 4 vols. (1979), a national bibliography whose publication represents a milestone in the history of scholarship in the American arts.
  • New York Graphic Society for The Photograph Collector's Guide by Lee D. Witkin and Barbara London (1979), a convenient, authoritative, and moderately priced source of basic information on photography and photographers which fills a significant reference need.
  • American Library Association for Guide to the Literature of Art History by Etta Arntzen and Robert Rainwater (1980), a comprehensive resource which is invaluable to art librarianship and a worthy successor to Mary Chamberlin's Guide to Art Reference Books (1959).
  • Library of the Boston Athenaeum for The Boston Athenaeum Art Exhibition Index, 1827-1874 compiled and edited by Robert F. Perkins, Jr. and William J. Gavin III (1980), a most thoughtfully compiled, handsome aid to mid-nineteenth century American art scholarship.
  • G.K. Hall for Collection of Exhibition Catalogs by the Archives of American Art (1979), a most welcome aid to researchers in quest of the essential, but often times elusive, American art exhibition catalog, thousands of which are indexed here and made available on microfilm by the Archives of American Art.
  • Scholarly Resources, Inc. for The Card Catalog of the Manuscript Collections of the Archives of American Art, 10 vols. (1980), a convenient and easily understood reference work which provides access to the invaluable manuscript material gathered, cataloged, and made available on film by the Archives of American Art.

2nd George Wittenborn Memorial Book Awards

1981 committee presented at 1982 convocation
  • Yale University Press for The Paintings and Drawings of William Blake by Martin Butlin, 2 vols. (1981).
  • The National Gallery of Art and Yale University Art Gallery for Hans Baldung Grien: Prints & Drawings (distributed by the University of Chicago Press, 1981).
  • Special award for excellence: Abbeville Press for Alexander Liberman by Barbara Rose (1981), also commending the continuing influence of Harry N. Abrams on American art publishing.
  • Special award for excellence: Department of Art, Brown University for its significant Graduate Student Exhibition Series catalogs as exemplified in 1981 by Edouard Manet and the Execution of Maximilian (1981).

1st George Wittenborn Memorial Book Awards

1980 committee presented at 1981 convocation
  • Monograph: University of Texas Press, publisher of Mexican Masks by Donald Cordry (1980), for a distinct contribution to a new area in art history.
  • Exhibition catalog: Whitney Museum of American Art, publisher of Edward Hopper: The Art and the Artist by Gail Levin (published in association with W.W. Norton, 1980) and Marsden Hartley by Barbara Haskell (published in association with New York University Press, 1980) for uniform excellence in content and format in a difficult medium.
  • Periodical: Coyne & Blanchard, Palo Alto, California, publishers of CA (Communication Arts Magazine) (1959- ) for twenty years of outstanding work in its field.

7th Art Publishing Awards

1979 committee presented at 1980 convocation
  • University of California Press for the overall excellence of its publication The Plan of St. Gall: a Study of the Architecture & Economy of & Life in a Paradigmatic Carolingian Monastery by Walter Horn and Ernest Born, 3 vols. (1979).
  • Indiana University Press and the National Gallery of Art for the thoughtful and original blending of form and content in their publication Prints and Related Drawings by the Carracci Family: A Catalogue Raisonné by Diane DeGrazia Bohlin (1979).
  • New York Graphic Society for Imogen Cunningham: A Portrait by Judy Dater (1979), a fellow photographer's compelling treatment of an appealing subject.

6th Art Publishing Awards

1978 committee presented at 1979 convocation
  • The Princeton University Press for a distinguished and scholarly art history publication as evidenced by Sir Charles Eastlake and the Victorian Art World by David Allan Robertson (1978).
  • The Metropolitan Museum of Art for a unique collaboration between an artist and a publisher resulting in Georgia O'Keeffe: A Portrait by Alfred Stieglitz, with an introduction by Georgia O'Keeffe (1978).
  • The Architectural History Foundation, Inc. for a 20th century editio princeps which makes an important manuscript widely available: Sebastiano Serlio, On Domestic Architecture.
  • The National Gallery of Canada for a continuing commitment to excellence in its diversified publishing program.
  • George Braziller, Inc. for a continuing series devoted to an aspect of the visual arts as evidenced in their publications on illuminated manuscripts.

5th Art Publishing Awards

1977 committee presented at 1978 convocation
  • First: The St. Louis Art Museum and the Detroit Institute of Arts for Henri Matisse: Paper Cut-Outs by Jack Cowart ... [et al.] (1977).
  • Award: The Museum of Modern Art for distinguished museum publishing, as exemplified in 1977 by The Architecture of the École des Beaux-Arts edited by Arthur Drexler (distributed by MIT Press, 1977).
  • Award: E. Harold Hugo and the Meriden Gravure Company for setting the standard for reproduction of works of art in American books.

4th Art Publishing Awards

1976 committee presented at 1977 convocation
  • First: David R. Godine in collaboration with the International Museum of Photography for general excellence for The Spirit of Fact: The Daguerreotypes of Southworth & Hawes, 1843-1862 by Robert A. Sobieszek and Odette M. Appel, with research assistance by Charles R. Moore (1976).
  • Special award: Aperture, Inc. for its continued efforts in support of the field of photography, its perceptive aesthetic choices, and the uniformly high quality of its publications.
  • Special award: Edward Ruscha, who made books when that seemed an odd thing for an artist to do and whose style, wit, and energy encouraged other artists to use the inexpensive, self-published book as a form of expression.
  • Honorable mention: Viking Press for Georgia O'Keeffe (1976), in recognition of the unique insight it affords into an artist's work.
  • Honorable mention: Harry N. Abrams for The Art of the Print: Masterpieces, History, Techniques by Fritz Eichenberg (1976), in recognition of the contribution it makes to its field.
  • Honorable mention: Sarah Campbell Blaffer Gallery, the University of Houston, for Edvard Munch by Peter W. Guenther (1976), in recognition of its exemplary scholarship.

3rd Art Publishing Awards

1975 committee presented at 1976 convocation
  • First: The University of Chicago Press for The Prints of Rockwell Kent: A Catalogue Raisonné by Dan Burne Jones (Chicago: University of Chicago Press, 1975).
  • Honorable mention: Harry N. Abrams, acknowledging the remarkable improvement in production and design of the firm's 1975 art books, especially Brancusi: The Sculpture and Drawings by Sidney Geist.

2nd Art Publishing Awards

1974 committee presented at 1975 convocation
  • First: Eakins Press for Elie Nadelman by Lincoln Kirstein (New York: Eakins Press, 1973).
  • Special citation: Pierpont Morgan Library in recognition of fifty years of unique contributions to books and bookmaking, noting particularly its fiftieth anniversary publication Major Acquisitions of the Pierpont Morgan Library, 1924-1974, 4 vols. (1974).
  • Honorable mention: Alfred A. Knopf, N.Y. for the outstanding color reproductions in The Book of Kells: Reproductions from the Manuscript in Trinity College, Dublin with a study of the manuscript by Françoise Henry, photography by John Kennedy (1974).

1st Art Publishing Awards

1973 committee presented at 1974 convocation
  • First: Aperture for Camera Work: A Critical Anthology edited with an introduction by Jonathan Green (New York: Aperture, 1973).
  • Second: Watson-Guptill for Maxfield Parrish by Coy L. Ludwig (New York: Watson-Guptill, 1973).
  • Special award: Dover Press for continued outstanding performance as a publisher of art book reprints.
     

Index of Recipients

By Publisher

Abbeville Press, 1982, 1990, 1991
Alfred A. Knopf, 1975, 2001
American Institute of Architects Press, 1993
American Library Association, 1983, 2005
Amigos del Museo Nacional de Art, 1994
Amon Carter Museum, 1987
Anchorage Press, 1998
Aperture Inc., 1974, 1977
Architectural History Foundation, Inc., 1979
Arie and Ida Crown Memorial, 1999
Art Institute of Chicago, 1995, 1999, 2002, 2011
Art Services International, 2008
Baltimore Museum of Art, 1987
Bard Graduate Center for Studies in the Decorative Arts, 2000, 2001
Barnett Newman Foundation, 2005
Beacon Press, 1993
Bedford Arts, 1991
Brown University, Department of Art, 1982
Callaway Editions, 1989
Centre canadien d'architecture, 1984
Ciudad Universitaria. D. R. Instituto de Investigaciones Estéticas, 1997
Cooper-Hewitt Museum, 1984
Corcoran Gallery of Art, 1991
Coyne & Blanchard, 1981
David R. Godine, 1977
DelMonico Books/Prestel, 2010, 2019
Detroit Institute of Arts, 1978, 1985
Dover Press, 1974
Dumbarton Oaks, 1986
Dustin Publications, 1999
Eakins Press, 1975
Fitzroy Dearborn, 1999
G.K. Hall, 1983
Garland Publishing, 1992
Gay and Lesbian Caucus of the College Art Association, 1995
George Braziller, Inc., 1979, 2001
Gilbert and Lila Silverman Fluxus Collection, 1989
Graphics Press, 1991
Grove Dictionaries, Inc., 1997
Grupo Azabache, 1993
Guggenheim Museum, 2008
Harry N. Abrams, 1976, 1977, 1982, 1984, 1985, 1989, 1990, 1992, 1996, 1998, 2000, 2003
Harvard University Press, 1990
Hawk Hill Press, 2006
Henry Francis du Pont Winterthur Museum, 1997, 2001
Hudson Hills Press, 1997, 1998
Indiana University Press, 1980, 1985
Indianapolis Museum of Art, 2011
International Museum of Photography, 1977
J.B. Speed Art Museum, 1985
The Josef and Anni Albers Foundation, 2013
Joslyn Art Museum, 1986
Kraus International Publications, 1985
Laurence King Publishers, 1998
Library of the Boston Athenaeum, 1983
Little, Brown & Company, 1988
Los Angeles County Museum of Art, 1992, 1998, 2000, 2019
Macmillan Publishing Company, 1984, 1997
Mariners' Museum, 1998
Menil Foundation, 1990
Meriden Gravure Company, 1978
Metropolitan Museum of Art, 1979, 1985, 1987, 1990, 2000, 2004, 2015
Minneapolis Institute of Arts, 1993
MIT List Visual Arts Center, 1993
MIT Press, 1986, 2000
Musée d'art de Joliette, 1998
Museo de Arte Moderno (Mexico), 1999
Museum of Early Southern Decorative Arts, 2004
Museum of Fine Arts, Boston, 1988
Museum of Fine Arts, Houston, 2007
Museum of Modern Art, 1978, 1995
National Gallery of Art, 1980, 1999, 2000, 2003, 2006, 2014
National Gallery of Canada, 1979, 1991
Nelson-Atkins Museum of Art, 1993
New Press, 1995
New York Graphic Society, 1980, 1983
New York Graphic Society, Little, Brown & Company, 1989
New York University Press, 1981
Oxford University Press, 1994
Pennsylvania Academy of the Fine Arts, 1995
Pennsylvania State University Press, 1997
Penumbra Press, 1987
Peregrine Smith Books, 1993
Philadelphia Museum of Art, 1995
Philbrook Museum of Art, 1988
Phillips Collection, 2000, 2011
Pierpont Morgan Library, 1975, 2001
Potion Design, 2013
Princeton Art Museum, 1990
Princeton University Press, 1979, 1996, 2002
Random House, 1992
Rizzoli International Publications, 1993
Sarah Campbell Blaffer Gallery, University of Houston, 1977
Scholarly Resources, Inc., 1983
Seattle Art Museum, 2002
Smithsonian Institution Press, 1983, 1995
Sociedad Mexicana de Arte Moderno, 1999
Sound View Press, 1987
St. Louis Art Museum, 1978
Sterling and Francine Clark Art Institute, 2012
Thames & Hudson, 1996, 2002, 2008
University of California Press, 1980, 1985, 1994, 1997
University of Chicago Press, 1976, 1986, 1994
University of Nebraska Press, 1986
University of Texas Press, 1981, 2001
University of Toronto Press, 1992, 1998
University of Washington Press, 1988, 1989, 2001
University Press of New England, 1984
Van Gogh Museum, 2011
Viking Press, 1977
W.W. Norton & Company, 1981, 1989, 1996
Watson-Guptill, 1974, 1993
Whitney Museum of American Art, 1981, 1996
X-Art Foundation, 1995
Yale University Art Gallery, 1982
Yale University Press, 1982, 1982, 1985, 1986, 1989, 1991, 1994, 1996, 1998, 1999, 2000, 2001, 2002, 2004, 2005, 2006, 2007, 2009, 2010, 2011, 2013

By Title

Alexander Liberman, 1982
Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs, 2003
The Altarpiece in Renaissance Venice, 1994
American Indian Horse Masks, 2006
American Seating Furniture, 1630-1730: An Interpretive Catalogue, 1989
American Windsor Chairs, 1997
Ancient Sichuan: Treasures from a Lost Civilization, 2002
Angry Graphics: Protest Posters of the Reagan/Bush Era, 1993
Architecture of the École des Beaux-Arts, 1978
Art and Architecture in Canada: A Bibliography and Guide to the Literature to 1981, 1992
Art and Artists of Twentieth-Century China, 1997
Art Across America: Two Centuries of Regional Painting, 1991
The Art of Frederick Sommer: Photography, Drawing, Collage, 2005
The Art of the Print: Masterpieces, History, Techniques, 1977
The Art That is Life: The Arts & Crafts Movement in America, 1875-1920, 1988
Arts in America: A Bibliography, 1983
The Bibliography of Gay and Lesbian Artists, 1995
Blast, 1995
The Book of Kells: Reproductions from the Manuscript in Trinity College, Dublin, 1975
The Boston Athenaeum Art Exhibition Index, 1827-1874, 1983
Bradbury Thompson: The Art of Graphic Design, 1989
Brancusi: The Sculpture and Drawings, 1976
Bronzino's Chapel of Eleonora in the Palazzo Vecchio, 1994
CA (Communication Arts Magazine), 1981
Cai Guo-Qiang : I want to believe, 2008
California Art : 450 Years of Painting & Other Media, 1999
Camera Work: A Critical Anthology, 1974
Campbell Collection of Soup Tureens at Winterthur, 2001
Canadian Film and Video: A Bibliography and Guide to the Literature / Film et vidéo canadiens: bibliographie analytique sur le cinéma et la vidéo, 1998
The Card Catalog of the Manuscript Collections of the Archives of American Art, 1983
A Century of Artists' Books, 1995
The Century of Tung Ch'i'ch'ang, 1993
Collection of Exhibition Catalogs by the Archives of American Art, 1983
The Complete Jacob Lawrence, 2001
Corporal Politics, 1993
The Cult of the Prince Consort, 1985
Cut with the Kitchen Knife: the Weimar Photomontages of Hannah Höch, 1994
Degas Landscapes, 1994
Degenerate Art: The Fate of the Avant-Garde in Nazi Germany, 1992
Design 1935-1965: What Modern Was, 1992
Design in America: The Cranbrook Vision, 1925-1950, 1985
Designing Modernity: The Arts of Reform and Persuasion 1885-1945: Selections from the Wolfsonian, 1996
The Dictionary of Art, 1997
Dr. Claribel & Miss Etta: The Cone Collection of the Baltimore Museum of Art, 1987
Dutch Paintings of the Seventeenth Century, 2014
Eakins and the Photograph: Works by Thomas Eakins and His Circle in the Collection of the Pennsylvania Academy, 1995
Eames Design: The Work of the Office of Charles and Ray Eames, 1990
Edouard Manet and the Execution of Maximilian, 1982
Edvard Munch, 1977
Edward Hopper: A Catalogue Raisonné, 1996
Edward Hopper: The Art and the Artist, 1981
Elie Nadelman, 1975
The Eloquent Object: The Evolution of American Art in Craft Media Since 1945, 1988
Encyclopedia of Comparative Iconography, 1999
Envisioning Information, 1991
European Post-Medieval Tapestries and Related Hangings in the Metropolitan Museum of Art, 1987
E.W. Godwin: Aesthetic Movement, Architect and Designer, 2000
Exiles and Emigrés: The Flight of European Artists from Hitler, 1998
The Eye of Duncan Phillips: A Collection in the Making, 2000
Facing History: The Black Image in American Art, 1710-1940, 1991
Fay Jones: The Architecture of E. Fay Jones, FAIA, 1993
Fernand Léger, 1985
Five Centuries of Indonesian Textiles: The Mary Hunt Kahlenberg Collection, 2010
Fluxus Codex, 1989
Fra Angelico at San Marco, 1994
French Gothic Architecture of the 12th and 13th Centuries, 1985
Furniture of Charleston, 1680-1820, 2004
Georgia O'Keeffe, 1977
Georgia O'Keeffe: A Portrait, 1979
Ghost in the Shell: Photography and the Human Soul, 1850-2000, 2000
Grandmother's Garden: The Old-Fashioned American Garden, 1865-1915, 1996
Greek Sculpture: An Exploration, 1991
Guide to the Literature of Art History, 1983
Guide to the Literature of Art History 2, 2005
Hadrian's Villa and Its Legacy, 1996
Hanging the Head: Portraiture and Social Formation in Eighteenth-Century England, 1994
Hans Baldung Grien: Prints & Drawings, 1982
Henri Matisse: Paper Cut-Outs, 1978
Herbert Bayer: The Complete Work, 1986
History and Its Images: Art and the Interpretation of the Past , 1994
Holabird & Roche and Holabird & Root: An Illustrated Catalog of Works, 1992
The Hours of Henry VIII: A Renaissance Masterpiece by Jean Poyet, 2001
IKAT: Silks of Central Asia, 1998
The Image of the Black in Western Art, Vol. 4: From the American Revolution to World War I, 1990
Imogen Cunningham: A Portrait, 1980
Ingres: In Pursuit of Perfection, 1985
Interaction of Color by Josef Albers (App for iPad), 2013
Issey Miyake, 1989
Italian Pavements Patterns in Space, 1998
Jacob van Ruisdael: A Complete Catalogue of his Paintings, Drawings and Etchings, 2002
Japanese Design: A Survey Since 1950, 1995
Jose María Velasco (1840-1912): National Homage, 1993
Karl Bodmer's America, 1986
Kongo: Power and Majesty, 2015
The Last Descendant of Aeneas: the Hapsburgs and the Mythic Image of the Emperor, 1994
Laura Gilpin, an Enduring Grace, 1987
Lenore Tawney: Mirror of the Universe, 2019
A Life of Picasso, 1992
Lisette Model, 1991
The Lithographs of James McNeill Whistler, 1999
Macmillan Encyclopedia of Architects, 1984
The Mad Potter of Biloxi: The Art & Life of George E. Ohr, 1990
Marcel Duchamp. Étant donnés, 2009
A Maritime Album: 100 Photographs and Their Stories, 1998
Mark Rothko : the Works on Canvas : Catalogue Raisonné, 1999
Marsden Hartley, 1981
Maxfield Parrish, 1974
Metalwork in Early America: Copper and Its Alloys from the Winterthur Collection, 1997
Mexican Masks, 1981
Mining the Museum: An Installation by Fred Wilson, 1995
Minor White: The Eye That Shapes, 1990
The Modernist Garden in France, 1994
Modernism in American Silvers: 20th-Century Design, 2005
The Moment of Self-Portraiture in German Renaissance Art, 1993
The Mosaics of San Marco in Venice, 1986
Mrs. Delany & her Circle, 2009
Muqarnas: An Annual on Islamic Art and Architecture, 1985
Muraqqa' Imperial Mughal albums from the Chester Beatty Library, Dublin, 2008
The New Sculpture, 1985
The New Vision: Photography Between the World Wars: Ford Motor Company Collection ..., 1990
Nineteenth-century European Paintings at the Sterling and Francine Clark Art Institute, 2012
Odilon Redon: Prince of Dreams, 1840-1916, 1995
Ornament as Art: Avant-Garde jewelry from the Helen Williams Drutt collection, 2007
Oxford Guide to Classical Mythology in the Arts, 1300-1900's, 1994
The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations, 1997
The Paintings and Drawings of William Blake, 1982
The Photograph Collector's Guide, 1983
Photography and Architecture, 1839-1939, 1984
Pierre Puvis de Chavannes, 2010
Pintura y escultura en Nueva Espana (1557-1640), 1993
La Pintura Mural Prehispánica en México, 1997
The Plan of St. Gall: a Study of the Architecture & Economy of & Life in a Paradigmatic Carolingian Monastery, 1980
Portraits by Ingres: Image of an Epoch, 2000
Portraiture and Social Formation in Eighteenth-Century England, 1994
Prague: the Crown of Bohemia, 2005
Prayers and Portraits: Unfolding the Netherlandish Diptych, 2006
Print Council Index to Oeuvre-Catalogue of Prints by European and American Artists, 1985
Printed Stuff: Prints, Posters, and Ephemera by Claes Oldenburg, 1998
Prints and Related Drawings by the Carracci Family: A Catalogue Raisonné, 1980
The Prints of Rockwell Kent: A Catalogue Raisonné, 1976
A Private Passion: 19th Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, 2004
Puerto Rico 1900: Turn-of-the-Century Architecture in the Hispanic Caribbean, 1890-1930, 1993
Raymonde April: Les Fleuves invisibles, 1998
Recarving China's Past: Art, Archaeology, and Architecture of the "Wu Family Shrines.", 2005
Rodin: the Shape of Genius, 1994
The Salon Album of Vera Sudeikein-Stravinsky, 1996
The Savage Mirror: The Art of Contemporary Caricature, 1993
Scandinavian Modern Design, 1880-1980, 1984
Sebastiano Serlio, On Domestic Architecture, 1979
The Selected Papers of Charles Willson Peale and His Family, 1985
Sir Charles Eastlake and the Victorian Art World, 1979
Snapshot: Painters and Photography, Bonnard to Vuillard, 2011
The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné, 1986
The Spirt of Fact: The Daguerreotypes of Southworth & Hawes, 1843-1862, 1977
Steichen's Legacy: Photographs, 1895-1973, 2001
Stories in Red and Black: Pictorial Histories of the Aztecs and Mixtecs, 2001
Stuart Davis: A catalogue raisonné, 2007
Symmetries of Culture: Theory and Practice of Plane Pattern Analysis, 1989
Tilman Riemenschneider:Master Sculptor of the Late Middle Ages, 2000
Van Gogh and Gauguin: The Studio of the South, 2002
Vector Rev, 1986
Visions of the People: A Pictorial History of Plains Indian Life, 1993
Visual Music: Synaesthesia in Art and Music Since 1900, 2005
Who Was Who in American Art ... Biographies of American Artists Active from 1898-1947, 1987
Windows on the War: Soviet Tass Posters at Home and Abroad, 1941-1945, 2011
Women Designers in the USA, 1900-2000: Diversity and Difference, 2001
The Work of Augustus Saint-Gaudens, 1984

By Authors, Editors, Compilers, Photographers

Altamirano Piolle, Maria Elena, 1994
Ameringer, William C., 1987
Anderson, Gail, 1993
Anfam, David, 1999
Appel, Odette M., 1977
Apter, Eleanor S, 1986
Arntzen, Etta, 1983
Axsom, Richard, 1998
Bagley, Robert, 2002
Barnes, Ruth, 2010
Barron, Stephanie, 1992, 1998
Beattie, Susan, 1985
Benson, Richard, 1998
Bivins, John, 2004
Boehm, Barbara Drake, 2005
Bohlin, Diane DeGrazia, 1980
Bony, Jean, 1985
Boris, Eileen, 1988
Boone, Elizabeth Hill, 2001
Born, Ernest, 1980
Bowlt, John E., 1996
Boyajian, Ani, 2007
Brougher, Kerry, 2005
Bruegmann, Robert, 1992
Bunnell, Peter C., 1990
Butler, Ruth, 1994
Butlin, Martin, 1982
Cai Guo-Qiang, 2008
Callaway, Nicholas, 1989
Castleman, Riva, 1995
Chapius, Julien, 2000
Clark, Garth, 1990
Clark, Robert Judson, 1985
Clarke, Sherman, 1995
Cohen, Arthur A., 1986
Cohn, Marjorie B., 1985
Conde, Teresa del, 1999
Condon, Patricia, 1985
Conisbee, Philip, 2000
Cordry, Donald, 1981
Corrin, Lisa G., 1995
Cowart, Jack, 1978
Cowdrey, Mike, 2006
Cox-Rearick, Janet, 1994
Crandall, Jordan, 1995
Crowe, Donald, 1989
Danilowitz, Brenda, 2013
Danly, Susan, 1995
Darby, Elizabeth, 1985
Dater, Judy, 1980
Davis, Keith F., 2005
DeFrancia, Peter, 1985
De la Fuente, Beatriz, 1997
Demus, Otto, 1986
Drexler, Arthur, 1978
Druick, Douglas W., 1995, 2002, 2011
Dryfhout, John H., 1984
DuBois, Michelle, 2001
Eames, Ray, 1990
Easton, Elizabeth, 2011
Eichenberg, Fritz, 1977
Ellison, Robert A., Jr., 1990
Fajt, Jiri, 2005
Falk, Peter Hastings, 1987
Fennimore, Donald L., 1997, 2001
Fischer, Felice, 1995
Fitz Gibbon, Kate, 1998
Flood, John, 1987
Flores Carapia, Martín, 1999
Forman, Benno M., 1989
Gates, Henry Louis, Jr., 1991
Gavin, William J., III, 1983
Gerdts, William H., 1991
Gingras, Nicole, 1998
Goyne Evans, Nancy, 1997
Green, Jonathan, 1974
Sarah Greenough, Sarah, 2003
Guenther, Peter W., 1977
Hale, Andrew, 1998
Halfpenny, Patricia A., 2001
Hall, Donald, 1993
Hambourg, Maria Morris, 1990
Hand, John Oliver, 2006
Haskell, Barbara, 1981
Haskell, Francis, 1994
Hearne, K. Michelle, 2001
Hecht, Eugene, 1990
Heller, Steven, 1993
Hendricks, Jon, 1989
Henisch, Heinz K., 1997
Henisch, Bridget A., 1997
Henry, Francoise, 1975
Herbert, Robert L, 1986
Hiesinger, Kathryn B., 1995
Hill, May Brawley, 1996
Ho, Wai-Kam, 1993
Honour, Hugh, 1990
Hood, William, 1994
Horn, Walter, 1980
Hugo, E. Harold, 1978
Humfrey, Peter, 1994
Imbert, Dorothée, 1994
Ivy, Robert Adams, 1993
Jacobs, Karrie, 1993
Jones, Dan Burne, 1976
Kahlenberg, Mary Hunt, 2010
Kanai, Kiyoshi, 1989
Kaplan, Wendy, 1988, 1996
Karpel, Bernard, 1983
Katsui, Matsuo, 1995
Kendall, Richard, 1994
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