Art Documentation  

Volume 22, Number 1, 2003

TABLE OF CONTENTS

2

From the Editors
Thomas Jacoby and Kathy Zimon

Property and Capital in Early Nineteenth Century Visual Collections: Tales in Search of the History of the Visual Copy [Concluding publication of the remaining papers in this session presented at ARLIS/NA and VRA Joint Conference, St. Louis, March, 2002.]

4

Through a Glass Brightly: Re-viewing a Lost Architectural and Pedagogical Landscape Through Historic Lantern Slides
Annemarie van Roessel, Art Institute of Chicago 

9

Berenson Was Right! Why We Maintain Large Collections of Historical Photographs
Martha Mahard, Harvard University 

13

Factors Affecting Controlled Vocabulary Usage in Art Museum Information Systems
Alison Gilchrest, Metropolitan Museum of Art 

21

Art Museum Libraries: Automation and Services to the Public
Catharine Jansen, Eiteljorg Museum of American Indians and Western Art 

29

It’s All in the Company You Keep: Library Skills Credit Courses in the Art Library
Lucie Wall Stylianopoulos, University of Virginia

33

Visual Art Resources Online: Issues, Trends, and Challenges
Suzanna Simor, Queens College, City University of New York 

41

From Inventory to Virtual Catalog: Notes on the ‘Catalogue raisonné’
Jonathan Franklin, National Gallery of Canada

46

Craft Publishing in Canada
Paula Gustafson, Vancouver, BC, Canada

51

Review Section
Joan R. Stahl, University of Maryland

65

Index, Volume 21, 2002
Kathy Corcoran, Munson-Williams-Proctor Arts Institute