Art Documentation
Volume 21, Number 2, 2002
TABLE OF CONTENTS
2
From the Editors
Thomas Jacoby and
Kathy Zimon
Property and Capital in Nineteenth and Early Twentieth Century Visual Collections: Tales in Search of the History of the Visual Copy [Papers presented at ARLIS/NA and VRA Joint Conference, St. Louis, March 2002]
4
'Visual Copy'
Collections in American Institutions
Maryly Snow, University of
California, Berkeley
8
The Canon Is
Cast: Plaster Casts in American Museum and University Collections
Pamela
M. Born, Tufts University
14
"Raccolte di
vedute": Early Twentieth Century Architects' Books and the Making of a Landscape
for California
Anne Blecksmith, Getty Research Institute
18
Selecting and Shaping Digital Projects: A
Blueprint for Architectural Archives
Kelcy Shepherd, University of
Massachusetts, Amherst
21
Persuading Architecture Faculty That
Library Instruction Is Essential: A Yale Case Study
Laurel Bliss and
Barbara Rockenbach, Yale University
25
Documenting Design: A Survey of
State-of-the-Art Practice for Archiving Architectural Records
Laura Tatum,
Yale University
32
What Price Art Librarianship in the
Twenty-First Century?
Gillian Currie and Margaret Shaw, National Gallery
of Australia
35
Technology's Impact on the
Information-Seeking Behavior of Art Historians
Trish Rose, University of
California, San Diego
43
Review Section