January 31, 2001
Submitted by: Sarah E. McCleskey, Moderator
E-mail: smccles@clemson.edu
Voice: 864-656-3932
Fax: 864-656-3932
The business meeting in Pittsburgh on March 20, 2000 was chaired by Moderator Tom Riedel. He introduced Sarah McCleskey as Vice-Moderator/Moderator Elect and Update column editor.
Old Business:
Ask ARLIS 6: "The Art Librarian in the 21st
Century." As our libraries and our profession change to meet the demands
of the 21st century, we must explore how we are preparing to meet the challenges
we face. These challenges include increasing focus on international connections
as the boundaries of our libraries are disappearing in the electronic age,
the impact of automation on the design of our facilities, the services
our libraries offer, and education for art librarianship.
Moderator: B.J. Kish Irvine, Fine Arts Librarian,
Fine Arts Library, Indiana University
Co-Sponsors: Academic Division, Museum Division
Session 15: "Library Support for Distance Education:
New Concepts, New Technologies, New Challenges." The rise of new technologies
over the past decade has had a great impact on the way nearly all libraries
and visual resource collections do business. Our catalogs are online, print
indexes have been transformed into databases, and we are digitizing our
slide collections. At the same time, the Internet has broken down physical
barriers to access. The implications of the changes extend beyond quicker
and more efficient access to information within our workplaces as more
and more students are able, and elect, to take courses or do research from
off-campus. Distance education allows virtual delivery of instruction as
well as information, but rather than obviate the need for librarians, it
has made us indispensable in new ways. We are tackling new methods and
technologies, faced with the challenges of electronic reserves, proxy servers,
copyright, and licensing agreements, while still serving the reference
and instruction needs of our clientele.
Moderator: Betsy Peck Learned, Architecture Librarian,
Roger Williams University
Moderator: Sarah E. McCleskey (Clemson University)Vice-Moderator/Moderator Elect: Miguel Juarez (University of Arizona)
Update Column Editor: Miguel Juarez (University of Arizona)
Workshop 4: "Approval Plans: Review, Preparation,
and Selection." Half-day workshop. This workshop is intended to benefit
all art library professionals who are responsible for acquisitions. Approval
plans save time and facilitate the selection of current imprints. They
can assist with collection building in public and university art libraries,
art & design school libraries, and art museum libraries.
Co-sponsors:
Academic Division, Collection Development Committee
Session 8: "Copyright, Fair Use and the Disappearing Public Domain: What Art Information Specialists are Doing and What You need to Know." The world of copyright is confusing, in particular because of the Internet as a new communication medium. What are the effects on libraries, visual collections, museums, and artists as a result of new intellectual property legislation including the Bono Term Extension Act, the Digital Millennium Copyright Act, anticircumvention measures, database bills, and UCITA? How is the creation of new work as well as public access, public spaces, and fair use affected by the new legislation? Librarians have an obligation to uphold the law, yet still provide quality information to their users. The panel will look at recent examples and respond from a variety of perspectives.
Session 9: "Classroom Odyssey: Teaching Adventures
in the Art Library & Cyberspace." Classroom and online instruction
by art librarians in academic, museum, and art school libraries have undergone
dramatic changes in the last decade. Traveling between the worlds of print
media and cyberspace demands capacity and enthusiasm for change, innovation,
and technological savvy coupled with respect and knowledge of traditional
art historical resources. Topics covered will include how to keep pace
with rapid and constant changes in the field, institutional support for
hardware and software changes, and how to evaluate instruction, i.e., the
"teaching portfolio." Representing art school, museum, and university art
libraries, the speakers will explore and discuss the varied approaches
to instruction which mandate the need to bridge our historical roots with
the vastness of cyberspace.
Co-sponsors: Academic Division; Reference and Information
Services Section (RISS)